What does calm look like to you?
I explored different scripts and ideas—always chasing the right rhythm, the right phrase, the perfect composition. The Vyaz script captivated me with its intricate flow—dense, rhythmic, almost musical in the way it wraps meaning into form. At first, I focused on words tied to travel and exploration, but soon, other phrases surfaced too. Not destinations on a map, but portals to inner worlds—moments, moods, and imagination.
Even with a wide range of watercolors at hand, I kept reaching for the same tones—deep blues and soft purples. Colors that felt like water: clear enough to see the stones and sand beneath, shifting like thoughts, layered like feelings. I realized I wasn’t chasing one theme—I was capturing a sensation.
The feeling of floating.
Of being fully present—in your body, in your breath, in the now.
“Blues” became a collection about clarity and depth, movement and stillness. About what it feels like to lose yourself in thought, in sound, in beauty. Each piece lives on handmade white paper, textured like sand and softened by time—holding the memory of water, of wandering, of wonder. These aren’t just artworks—they’re a pause, a breath, a return to yourself.
