Structure Study II — Alphabet

Structure Study II — Alphabet

$520.00
Skip to product information
Structure Study II — Alphabet

Structure Study II — Alphabet

Ink on paper mounted on wood panel, 2025
12x24 in / 30.5×61 cm

$520.00

Available

1 of 1. Original abstract calligraphy art on paper 12x24". 

Hidden language layer

ABCDEFGHIJKLMNOPQRSTUVWXYZ

Details
  • Medium: dark blue paper on a wood panel, white calligraphy ink, golden leaf
  • Size without frame: 12x24" (30.5×61 cm).
  • Size in a frame:
  • Frame material: gold metal floater
  • Signed and dated on the reverse. 
  • Includes a Certificate of Authenticity.
  • Handwritten in California.
Shipping

The work is ready to ship.

Shipping within the US is included.
Local delivery can be arranged.

Before dispatch, detailed photos and a short video will be shared for confirmation. The piece is shipped once approved.
For international inquiries:
ship@maryapavlova.com

Return

Each Study is a unique original work.
All sales are final.
Returns are accepted only in the case of shipping damage. Notification and photographic documentation must be provided within 7 days of delivery, including images of both the work and packaging.
Each case is reviewed individually.
For questions prior to purchase, direct inquiries are welcome.

Field Notes

2025

September always feels like a fresh start — new notebooks, sharpened pencils, the hum of back-to-school energy. This year is extra special, because my son has just started TK. He already knows his alphabet, and now he’s learning to write his own letters.

It takes me back to the time when he was in this same season of discovery, pointing out letters the way my daughter does today. Back then, his eyes would light up whenever he recognized a shape. Now, when I practice calligraphy, he still leans over my desk, excited to name each letter and ask questions about it.

That curiosity reminds me of something simple but powerful: letters are more than symbols. They’re beginnings. Every word, every idea, every story starts with a single line, a single letter.

That’s why I designed my own alphabet, inspired by the flowing Cyrillic skoropis, but reinterpreted in my style. Each letter is a reminder that everything meaningful starts with a small, deliberate mark.

I create calligraphy not just for beauty, but to invite curiosity, connection, and reflection. Because letters come first — and from them, all stories unfold.

Wall work

Studies

Long-form investigations. These are where I push language until something shifts.

→ Explore the art

Physical objects

Artifacts

Objects that emerged from the work — things that wanted a body.

→ See Artifacts