That’s why I often work with abstract or fragmented text, instead of immediately readable words.
When we see a familiar word, our brains are quick to recognize and move on. Reading can close the question before we’ve truly had a chance to really look.
I am interested in what happens when that certainty is interrupted.
My work uses elements of writing, but it does not always offer something straightforward to read. Letters turn into shapes, structures, rhythms, traces, and clues. They invite the brain to search for meaning without giving a single, clear answer.
I don’t want to remove language from my work.
I want to make you aware of it.
These ideas first appeared in my early artworks and continue to evolve through my signature artworks.
What fascinates me is how context shapes what we see, understand, and believe. The same word, art can carry vastly different meanings depending on who says and sees it, where it appears, what surrounds it, and what we bring to it ourselves.